
WBM Podcast aka Witty Banter Media
The Three Best Bros anybody could have (feat. Oski, xFer, & Merc) sit down and go into all sorts of topics while also diverging into wild content. Anime! Pop culture, video games, movies, books, science fiction and actual science. Nothing is safe from the Witty Banter Media treatment. Every episode tends to take an unexpected left turn, so listener discretion advised. However, follow along and you will see they always bring it back full circle. Do not take the WBM Podcast team too seriously because they will never be above a witty joke!
WBM Podcast aka Witty Banter Media
From Dragons to Ohana: Who Does Live Action Best
Remember when animated classics captured our hearts with magical stories and unforgettable characters? The boys talk about Disney's recent obsession with live-action remakes, examining what makes some soar while others crash and burn. Are studios simply recycling content for a quick profit, or can these remakes offer something meaningful to both new audiences and classic fans? Tune in and find out for yourself on this episode of the WBM Podcast!!
#HowToTrainYourDragon #Lilo&Stitch #Disney
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@wbm_podcast
good evening ladies and gentlemen. Thank you so much for joining the wbm podcast. This is one of your hosts.
Speaker 3:It's your boy, murk yo, it's your boy x fan.
Speaker 1:Welcome back and this is your boy guys, we got a fun one for you today and we're gonna talk about live action.
Speaker 2:We're gonna talk about a couple live action movies that we checked out lately how to Train your Dragon, lilo and Stitch.
Speaker 1:Ohana and we're going to. I was going to say, which apparently doesn't mean much for anything nowadays, but a couple of things changed, a couple of things didn't. Let's break it down. We're going to go in and give our two cents on live actions ladies and gentlemen, I hope you guys enjoy this one. Let's go Credits credits directed.
Speaker 3:The people deserve. Starting light camera, two camera one. Low key though I can't wait for the Fast and Furious live action, though Like that will be tight, bro Bro shut the fuck up.
Speaker 1:The anime is actually going to be great. Dog Shut up, bro. I haven't heard this other dude in the 11th film.
Speaker 3:Live action. Bro would be crazy, bro, shut up bro.
Speaker 1:I want to know if you know.
Speaker 2:Anime Vin Diesel with anime fucking Decepticons would be badass. Well, they did already have an animated series on Netflix called Spy Race here. Oh, you did say that. How did that do I never watched it? Perfect. But Vin Diesel is basically like his nephew, and a bunch of kids go around saying oh, that's American animation.
Speaker 1:Or anime, though the difference American animation See. I went to the anime version.
Speaker 3:That's the square one. They got like square fingers and like triangle elbows. I hate that style.
Speaker 2:The dot charger is very square.
Speaker 3:I don't know why they do that. I mean, I guess I think it's just, like you know, trying to be fast, you know.
Speaker 2:Do y'all want to mention Comic Palooza here at the beginning or at the end? Let's do it right now. Let's get it over with.
Speaker 1:Comic Palooza is this weekend, when, in a couple of days, June 20th through the 22nd at the George R Brown Convention Center.
Speaker 3:ladies and gentlemen, that's right guys, We'll be there Friday.
Speaker 2:At 3.45 pm. That's our panel on Friday and Sunday.
Speaker 3:At 11 a. That's right On.
Speaker 2:Sunday, so check us out. On Friday. We're going to be on the pink stage Sunday finals at the podcast stage. That's right For a live podcast episode and of course we'll be there all weekend. So if you see us wave, say hi, smile.
Speaker 3:I'm a little shy.
Speaker 2:No, he's not. But yeah, this year they have a bunch of new stuff. Like they have this thing called University of Comicpalooza or Comicpalooza University, where they actually brought like people with doctorates and stuff from all around the country to like break down topics like break it down like on a more like, I guess, collegiate level what is the one?
Speaker 2:piece. Tell me why won't you text me back? So they actually do. They actually bring together scholars and can explore pop culture to curate panels about comics, animated literature and real world themes and how they reflect in comics, like how how representation is reflected in comics or how comics have, like you know, evolved throughout the throughout the years. So, like you know, as I get older, I want I analyze the stories more, you know. So to me it's cool to like see panels where people are like reading too much into it. So do I, and I'm sure the creators are like really happy. Like they, they put all these layers in the in their storytelling to be analyzed.
Speaker 1:If I was a creator, I'd be, like you know, elated that they're they need to have at least just four professors for one piece, bro, because it covers human trafficking, slavery, oppression. Don't trust the government. Economics All of it, bro.
Speaker 3:Freedom. Yeah, that's like the most American and at the end of the day, it's a manga for kids over there, you know yeah.
Speaker 2:But the themes are there. The themes are there where you could like read a lot into it and like break it down and bring it into a real world. Yeah, and and break it down and bring it into the real world and just actually bring it up in conversation. So check out the Comic Palooza University panels. That's my plug in this year.
Speaker 1:Not a sponsor. We're sponsoring, not that one. We're partners.
Speaker 3:We're partners with Comic Palooza.
Speaker 2:We're not going to be in any Comic Palooza University panels.
Speaker 1:Another plug for us Go check out our boys Fusion Ha Fam.
Speaker 3:That's right, y'all. Fusion Ha Big shout out there. They got some panels, they're interviewing.
Speaker 2:Go check out Blaze Brothers.
Speaker 3:And Blaze Brothers. They're going to have their own booth.
Speaker 2:They're going to have their own booth in the exhibit floor.
Speaker 1:That's right. Chris Boyce, as a matter of fact, I think, is coming back to comic blues, this year, so go check out big city he's actually gonna have a performance again. Yes, he is so go, check out all the go, check out all the other podcasts and if you guys haven't heard any of our episodes before, with those exact same people, make sure you go back to seasons one, two, three and four. Yeah, and all that fun.
Speaker 2:yes, there's the sprinkle all towards absolutely, absolutely Nope. Anyways, let's talk about live actions. You want to start? Should I start? You want to roll the die? I'm going to go dark. You're going to go dark. Okay, let me go light first, okay.
Speaker 3:Please. Yeah, I'm going to dark bro. Chill, Not like in a bad way.
Speaker 1:I'm going to do negative comments first.
Speaker 2:Okay, let me first. I watched how to Train your Dragon just like a couple of days ago and let me tell you I'm a big how to Train your Dragon fan. But when did how to Train your Dragon come out, suki? 10 years ago, you said 10 years ago. I think it came out in 2007, 2008. And the thing about the original how to Train your Dragon. I wasn't a kid. Yeah, I was grown up. I was in high school.
Speaker 2:But I was younger, so much younger than today, but I really liked the original, like I watched it and I really liked it and I remember I bought the special edition back when blu-rays were a thing it still holds up, bro, it still holds up it had emotion.
Speaker 2:It had like kind of like. It had some mature themes in it. Yes, and the whole idea of like getting a dragon. I thought it was really cool. So it wasn't like I was a kid when I watched the original. I was a high school teenager but still I remember like getting really high and going to watch it and I was like flying with dragons could you imagine 4d with that?
Speaker 2:I'll stop bro. I watched it in 4d, that's right when that scene came out. Test flight whenever he like, finally tests flies over the front, yeah. The fucking 4D seats go off. That's dope. Dang and the final battle in those seats just like his mother. And you uh freaking um. Toothless spits out a hiccup and water comes out the seat.
Speaker 3:Oh dude.
Speaker 2:So you get hit by the spit. I thought the live action was great. My honest review is that it holds up Like it's. In a lot of parts it's frame for frame, basically like 80% of the movie is exactly frame for frame what the animated was. And here's my thing. I don't think there's nothing wrong with that. Like a lot of people are saying like, well, it should be something different, and I'm like, well, no, I mean, I like that it sticks to the original formula. But like I just want to see the original animated in live action, I want to see a couple of changes here and there and like add some to the story. But if it's the same story, there's nothing wrong with that.
Speaker 1:I agree.
Speaker 2:So and translating to live action, it keeps a lot of the emotion it keeps. It's really emotional movie, so it keeps a lot of emotion. And Gerald Butler, who voices Stoic in the original, gets brought back for the live action and he does such a great job and he gets a lot of extra lines. You know yeah yeah, because it's Jared Butler. Why wouldn't you give him extra lines?
Speaker 1:Yeah, you're going to have to.
Speaker 2:The dragons look great. Toothless is the only one that looks kind of like a lot cartoonish, but that's because he's supposed to.
Speaker 1:It's like Sonic.
Speaker 2:They kept him. They kept him with the big eyes and big mouth.
Speaker 3:They just made him bigger size, just kill him bigger.
Speaker 2:Yeah, basically, and the other dragons they like make the eyes smaller, like you know, lizards or reptiles.
Speaker 3:Yeah.
Speaker 2:So they make the eyes smaller, so they kind of look like dinosaurs really, but Toothless keeps the big eyes because he needs to emote, basically mode, basically yeah, yeah, they're like if you make his eyes small, then he doesn't.
Speaker 1:You know, you don't see his emotions, right? Yeah, I was thinking when he said that I was like, oh, it's like spider-man, now that he has his suit with the eyes move, he can emote so much more dead. When he has his eyes that move, they move.
Speaker 2:Yeah, you know, they make it better if he gets, you know, chameleon eyes or reptile eyes, then we don't get to see the. Yeah, he's just a dragon. That's the only reason that he's the only dragon that gets to keep. But the whole oh, astrid, astrid, played by Nico Parker. A lot of people were upset about the casting, but she actually does a great job. She is Astrid and she's the one that actually gets more lines in the movie than the other version.
Speaker 2:I think she gets a little bit more of agency. Basically, Cool man, she does a great job. The guy that plays Hcup I mean he's hiccup, but I mean hiccup doesn't. I mean, it's just a funny character, you know yeah, this is a first movie.
Speaker 1:Correct me if I'm wrong.
Speaker 2:Uh, director who did the animated is now doing the live action as well, yes, they actually brought the same director, director that did the first movie they brought him back.
Speaker 1:It doesn't make sense why they wouldn't have done that for all of them, though bro, it's like a no-brainer.
Speaker 2:It's like, well, bring back the creator of it why wouldn't, you just bring back the same director.
Speaker 1:He obviously understood the vision, because he made you a fucking hit you know what I'm saying. But what do I know?
Speaker 2:um sounds like the director of how to train your dragon is also the director of lilo and stitch the animated version. The animated version animated version oh um, after you know, it was a couple years after little and stitch that he was uh brought on the project for how to trade your dragon correct.
Speaker 1:So his big hit was lilo and stitch, which was an amazing film.
Speaker 2:People loved it it got a live action made out of it. Surprisingly enough, I didn't think to be honest, I didn't think that was the next. You know, I feel like there's more popular titles to bring up before Lilo and Stitch.
Speaker 3:Yes, Maybe that's why.
Speaker 2:But I mean it was really popular with the girls.
Speaker 1:Lilo and Stitch is hot right now. For kids Like Lilo and Stitch, anything sells lilo, it can just be stitched.
Speaker 3:So if you watch lilo and stitch the cartoon, bro, there's lilo's hilarious, but she's bad as fuck though, bro, that other, that movie, bro, she's bad as oh, she's a bad kid, yeah, she's bad.
Speaker 1:She's getting in constant fights all kinds of talking shit, all kinds of stuff that happens with her in that movie, bro she talks a lot of shit to her sister. Yeah, she does so they go back and forth a lot of whatever that's what he leaves there like drowsy Damn.
Speaker 3:I don't know how to see the movie.
Speaker 1:Well, here's my thing. I liked the film a lot.
Speaker 2:However, the original or the live action. The live action, I had three.
Speaker 1:You liked the live action, I had three, almost three tearjerker moments in the live action.
Speaker 1:Oh, there were two scenes, though, that ruined it for me when he paid the popcorn to. I couldn't even tell you what they wore because they were very forgettable, but I remember like watching, I'm like wow, this was actually pretty good. I like what they were doing here. This actually seemed good. And then the narrative, like I said, lilo has her. Her big speech of ohana means family. Family means we stay together. Nobody gets left behind. Her sister, nami nani, turns right around and is like fuck you, boo-hoo. Basically like we did get left. Deal with it Like dog. She's like six, like that's really fucked up to say to a six-year-old.
Speaker 1:I don't care how old you are, how pissed off you are at the world, Like you know. And it's crazy because if you watch the animated series and the fucking the animated run that they had on Disney for a short duration of time, Because they didn't have a sequel.
Speaker 2:like little TV series, they had a TV series.
Speaker 3:So with that series it's all about them being together, them being family, and they adopt more Lilo-style aliens, you know.
Speaker 1:Yes, and the main black guy, that's right. They have the other. Yeah, the other stitches that come into play or whatever. And again, they already showed a couple of them in the movie, so I think that already set it up for the sequel.
Speaker 2:They didn't have the big dishes, the big cop the big cop and he wasn't there the giant bounty hunter was not there oh, it's weird because he was the main villain he was turning to the main villain, the dad the remember the purple professor yes, he's like now the villain, which doesn't make any sense I don't think it would it doesn't, man, it really really doesn't.
Speaker 1:I don't like that part about it but I'm like, eh, okay, I can still push past that because, guess what? The best part of the movie the little girl who played Lilo adorable, Fucking cute as shit Like cute kid. She sells it Stitch. Best part of the movie bro, Live action, animated, doesn't matter His character just works to my family.
Speaker 1:yeah, he does the same thing. He does the same. He does a good job at it like it's the same animated ending, like from the from the movie, right from the animated film. It's the exact same in the ending, except nami's like okay, I'm gonna make the hard decision and I have to leave damn that's what I heard.
Speaker 2:I didn't go and watch it, but that's what I heard. And, like in the live action, the sister leaves her behind so she leaves her behind.
Speaker 1:The way she justifies it, though, is by she, instead of just going into the system of foster care or whatever she gets, given over to the neighbors who quote unquote raised her like family, so in that sense, she's still, with quote unquote, family.
Speaker 2:But I mean that kind of takes away everything that the movie. That's what the hell movie? That's what the movie's trying to do.
Speaker 1:This is what pissed me off. This is the other part that made me mad. One not only was it the fuck you do her face, it was this one right here. Whenever she's gone, she's like FaceTiming her or whatever. And she's like I got a surprise for you, portal gun. Portal gun gets from her dorm to Lilo's room. If that's the case, bitch, you could have stayed at home and did the same shit to get to class. You didn't have to leave her. You didn't have to leave her to do the same shit.
Speaker 2:And if you take away portal gun.
Speaker 1:If you take away the fucking ridiculousness of the portal gun, let's just say they're like sorry, we can't leave this tech here at home. They take care at home. They just take it. She doesn't go back home to visit her bro, that's a wrap.
Speaker 2:That's literally the only thing that's like. That would be it. Ohana means goodbye girl.
Speaker 1:Ohana means aloha, hello, hello and goodbye.
Speaker 3:It was crazy but anyway, that's my beef man I'm like, I think had they followed the direction of the how to Train your Dragon guy.
Speaker 1:Give me the same film. You can.
Speaker 2:You can expand oh, he said in one of the interviews they didn't even reach out to him they didn't even ask him, they didn't even ask him, bro, you know that's one thing about these live actions is like they should at least like okay, if not call him to direct the live action, at least like hey, let's bring in him as a consultant. He's like hey, what do you think of this story? Yes, yeah hey, what do you think these changes could work?
Speaker 1:Disney is struggling so bad they pulled one of their old employees out of retirement, right X-Fur. Yeah, the homeboy that did. Like All the original Disney cartoons, all like the badass ones, bro, like Aladdin Hercules and like several other ones. Bro, he came back specifically to help guide the next generation of creators Gators, save Disney. Basically save Disney dog, yeah Crazy. And you know the stupid money, bro, that they gave him just to come back out of retirement.
Speaker 2:What is the next live action? I think Hercules has a monophagy in the next live action.
Speaker 1:Oh, Danny DeVito's supposed to be coming back for that.
Speaker 2:Oh, I like that, I got three words.
Speaker 1:I quit.
Speaker 3:I heard somebody broke that down, that in Old Mid it was two words. I was two words like I quit, like I got. What does it go? I have three words. I quit right, but in greek it's supposed to be like three words, like three words for sure yeah, that's more joke.
Speaker 2:Yeah, it's like a liver's joke, hercules. Hercules is one of my favorite ones.
Speaker 3:That's the thing like it's not so much as like I think it's like cheap for disney or any studio that just like what is, popular, movies that people would, you know, rinse and repeat, recycle because they're gonna go pay the movie like we're gonna go watch it. That's the thing, is like it. It deviates from when, the back in the day, when, like hollywood took a risk like live action, the mask like, and the thing is like a good example. But it's like it's not so much the plot, but like you gotta get the right actor because jim carrey carried that bro. To this day, like 30, 40 years later, cameron Diaz in that film has never been the same dog Never been the same.
Speaker 3:It's just stuff like that.
Speaker 2:It's like I just wish that y'all took risk on live action again, especially because the Mask is based on a graphic novel and in the graphic novel the Mask is a serial killer. It's a horror graphic novel and novel. Damask is a serial killer, so yeah, it's a horror graphic novel, and then they brought in jim carrey and turned into a comedy.
Speaker 1:Yeah, that's a risk that's a big ass risk because it like but it worked yeah, yeah that's so crazy.
Speaker 2:But you know, I don't think that's what they're doing with the new live actions like no having the sister leave her behind.
Speaker 1:I don't think that's a risk, I think that's just them sabotage I feel like that's Disney promoting the separate family like narrative bro, like ah, it's okay bro, we don't have to be together, like we're together in our hearts. But Disney was all about fucking family, bro. Those films all revolved around the child, simba, simba and his dad. It was a great fatherhood, am I right? And then they made Mufasa.
Speaker 2:You had to take some Mufasa brother brother, that's another live action, don't say I think about my brother.
Speaker 1:How does the song go? I just can't wait to be king, that was Gar's song.
Speaker 3:Is that what you're telling me? That was the song. It means no worries for the rest of your days, rememorable songs.
Speaker 1:30 years later, motherfuckers, that's what it is. I can't tell you a single song from that movie From Mufasa there were more songs there.
Speaker 2:When they redid it, Whoa they have the. Don't say that thing about my brother. I never saw it.
Speaker 1:That's exactly it.
Speaker 2:I never saw it, but I know there's that one song by Leonel Miranda.
Speaker 1:Yeah, for sure. So anyway, because we can't remember any of the lines.
Speaker 2:For me, the live action Lion King wasn't that bad. Some people liked it, some people didn't like it. The people that watched the original didn't like the live action. But if you don't remember the original and you watch the live-action Lion King, oh it's great. It's great, yeah, absolutely. The live-action Lion King is one of those movies where if you don't know the original material, it's actually not a bad movie. But if you know the original Lion King, the live-action doesn't.
Speaker 1:Yeah, you know what I hate that they're doing.
Speaker 3:Disney is just recycling 30 years of film now but instead of pandering to us, they're pandering to our kids, which is tiktok youtubers, even the jungle book one like I was excited for uh, bill murray to play uh, and yeah, it was nice, it's for the bare necessities, the simple, because I just mentioned at some point it's like how is it gonna make profit?
Speaker 3:because, like, they make no money, pretty much, and just us watching the classics, because that's what they are, the classics, you know. But it's just, you can recreate originals, for example, like Peter Pan, like you want to go bye-bye bar but you have movies like Hook you get what I'm saying, like that's just beautiful. You know, it is the story of Peter Pan, but a different place, peter Pan growing up. You know. As to the mitos, you know, rufio, rufio you know, I chanted that at my song.
Speaker 2:Yeah, I mean, I do like those takes, those live action takes where, like it's uh, it's not the story about bitter bread anymore. Somebody else's story. Yeah, they're winning the food. Live action uh, oh, that's a great one, christopher robin, christopher robin, yeah, he's all grown up action.
Speaker 1:Oh, that's a great one, christopher Robin. Christopher Robin, yeah.
Speaker 2:He's old, growing up and he comes back, that's a great one.
Speaker 1:That's a great one. Did you guys even know what the premise of the movie was?
Speaker 3:I didn't watch it.
Speaker 1:I've seen clips. I asked one of my coworkers which one he lost his imagination. Yeah, that's all it is, I guess. No, it was. It was nice. You can't knock it until you watch it. That's true. Yeah, that's true.
Speaker 3:But you enjoyed it. I mean it was nice, it was Winnie Pooh, Winnie Pooh verse, it's just like you know, for like three, four year olds, you know.
Speaker 2:And the donkey Igor floating down the river.
Speaker 3:Yeah.
Speaker 2:Contemplating about.
Speaker 1:Yeah, but yeah, so okay, but okay. Look what was the original story of Winnie the Pooh, though, see, they didn't have a movie. All they had were TV shows.
Speaker 2:They had that weird movie where they're like cowboys or something.
Speaker 1:That was one of my favorite movies as a kid.
Speaker 3:I watched the one about the elephant one like a hundred times when I was my little niece. But I mean, okay, they made straight-to-VHS moviesx straight to A-Track.
Speaker 2:They made all those, which was great, but big theater movies they didn't have one.
Speaker 1:So because of that we don't hold them to a stigma like we do. How to Train your Dragon Lion.
Speaker 2:King. Fair enough, so they could just tell a story of them doing shit. It's the big releases that we kind of like, those become the classics yeah, those are classics like Mulan, you know, oh, your.
Speaker 3:Oh, your shirt. Your shirt's a perfect example the Gundam we left. Would you consider the live action one with the Netflix one?
Speaker 2:No, that wouldn't be live action. There hasn't been a live action Gundam yet, but it's coming.
Speaker 1:I did hear they're in the works for that it's coming to Netflix I thought it was the one we saw, the one we're live.
Speaker 3:No, I don't know what you're talking about. That was hyper realistic done on the what's that engine called the unreal engine okay, so don't count for live action it's still CGI it's playstation graphics they look good so you need a physical human there to make it count. Is that what you're saying?
Speaker 2:so Lion King didn't count.
Speaker 3:Lion King is hyper realism, because that's what you're telling me.
Speaker 1:Or did they motion capture them? Was the person really there?
Speaker 2:I don't know.
Speaker 1:Let us know in the comments, ladies and gentlemen, Because I.
Speaker 3:They have real backgrounds. Adam Neary is the sir.
Speaker 2:They have real backgrounds, they have real sets.
Speaker 1:Like locations, I guess Did they actually Okay, I don't know. I don't know either, they could be using like that spear thing that they shoot, I mean.
Speaker 2:Stitch is not real.
Speaker 3:But it's a human.
Speaker 2:That's what I'm saying.
Speaker 3:I'm just separating the hyperrealism boundary with the live action. Because look well, because then how to drink a toothless is not there but that's what I'm saying, yeah transformers, bro, but you know there are people there, so that's furious, like obviously but look if they motion capture them, bro that counts, because in this story there's humans, and humans are just animated.
Speaker 2:Uh, what were we talking about just before that?
Speaker 3:a live action oh mulan.
Speaker 2:What disney did with Mulan? They tried to take away all the magic out of it.
Speaker 3:There's no.
Speaker 2:Mushu, but for some reason there's a witch that could turn into a crow. What If we're going to have magic in a movie anyway, why not?
Speaker 3:keep it.
Speaker 2:The idea was like let's take away all the magic and then we put a fucking witch in it.
Speaker 1:Whatever, Whatever the magic, nah, and then we put a fucking witch in it. Whatever, bro, whatever, don't even get me started.
Speaker 3:Ancestors give my friend. Oh, they took away all the music. Shame on you. They took away all the music. There's honor on you. There's honor on your cow. That's it, bro.
Speaker 1:That was. But was there a cute character like in Mulan? Because normally they had the cricket and they had Mushu. That's what they used to sell toys, yeah.
Speaker 3:And the horse.
Speaker 2:Their live action was like they wanted to be real. They wanted to tell a story. They took away all the music, they took away all the magic, except for having the witch.
Speaker 1:Were the homeboys still in three drag at the end. Were the three samurais. Remember that she made friends with drag, remember in the movie.
Speaker 3:Yeah, I can't remember.
Speaker 1:Yeah, so they entered the into the castle, they all dressed as ugly girls.
Speaker 3:Yes, but did they do the live actions? I never saw it.
Speaker 1:I'm boycotting all live action, so you don't remember I watched it once and I was like, yeah, like I said, super forgettable ladies and gentlemen, unfortunately, disney just needs to do what how to train your dragon did from what I'm seeing, bro, everybody likes it. I haven't seen a negative thing about it, certified fresh, certified fresh for a live guess what Same? For the most part, same movie, with some expansions, you know.
Speaker 2:And the thing is that's a pro and a con, but it's not. It's not like big enough of a con, you know.
Speaker 3:Yeah, absolutely Sookie, who was your favorite live action?
Speaker 1:I want to hear your two cents on Lion King. Well, Well, ladies and gentlemen, this has been one of your hosts. It's your boy, Merc. Please make sure you guys are following us on all of our social media Every time At WBM underscore podcast.
Speaker 3:And it's your boy X-Fed. You should be using Amazon Music, spotify, stitcher, iheartradio all that jazz.
Speaker 2:And it's your boy, oski, and the Migs, and the Migs, as always. Check out the website. Over 150 episodes on the site Go back to our season one. Start from the very beginning. Take your time. In every episode you'll find two links. One is to support the show. If you like what we do, please support the show. Another one is to send us a text message. Shout out to Gerardo or.
Speaker 1:Gerardo, week Guys, we'll see you in the next one. We love you.
Speaker 3:We'll see you at Comicpalooza, that's right.
Speaker 2:See you at Comicpalooza.
Speaker 3:Alright dear little horse.
Speaker 1:Keep that in there.